Friday, April 16, 2010

Blue Angeline

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It's pretty clear I will never be a sucessful fiction writer so I'm going to post the rest of what I think are okay short stories here. Randomly. I think they are ok stories. Oh yeah, no one has ever understood this one. It's about a guy overdosing. You know when you are on the inside of the thing? That's what it's about. Inside the thing knowing there is an outside, but staying inside.

Blue Angeline
For the longest time, she waits for him to come back. She holds back the tears and waits.
*
Ben wanders slowly through the once fecund yard of his childhood. Once it was a lush and overgrown place. Back then the paths wound between huge aviaries brimming with exotic life. Back then you had to duck beneath low hanging branches heavy with fruit while on the edge of your vision you caught glimpses of scarlet, turquoise and emerald of wing or tail feather. Back then your ears were filled with the cacophony of myriad bird call, while now there is silence. The aviaries, once filled with miniature jungles, now seem filled with skeletons, everywhere dead and dying vegetation. Ben stops to peer into one of the aviaries. He waits for a sign of life, but there is nothing, not the faintest flicker of life. He has not been back since his late childhood, and the lack of life seems harsh and cruel and somehow just not possible.
He wanders to the bottom of the yard, past the pigeon coops that once murmured and cooed and whistled with the flutter of descending wings. He expects to see his father there, on his knees cleaning the floor of his beloved racers. He can still hear the sharp scrape of the edge of the trowel across the concrete floor, the tinny talk-back of the small transistor that was a constant companion, the muttered expletive as skin was scraped from knuckle. Briefly, he wonders how it all went wrong.
Beyond the back fence, once a tangle of native bush and the adventure of a waterfall, there are townhouses. They still look new, and Ben can imagine the young families that live there, their lives filled with the false promise of reality TV. Ben guesses that this is the future of his childhood home, subdivision and invasion. Mentally he shrugs at this; what has passed has passed. And at least there will be life. This is death.
Ben finds a tap hidden by overgrown grass. It squeaks as he turns it, but the water comes through, a working relic from his past. He waits for the warm water to turn cool before cupping his hands under the flow and drinking. He turns the tap off and listens to the water drip into the rusty basin on the ground, the plips like tiny aural jewels. Staring into the shimmering puddle below, he almost remembers something. He tries to remember when it was good, tries to recall the past as he watches the glistening drops fatten at the end of the tap until set free by their own weight.
Turning the tap off a little harder, Ben straightens and heads back towards the house. It was good of the new owners to let him visit. He did not want to go inside the house; that would have been too much. It was the rambling backyard he’d wanted to see. This had been his childhood, and he had felt the need to come back and say goodbye. It was a sentimental gesture, quite out of character for him. But the pull was strong once he had heard the news. He had waited until matters had been settled and he waited longer, wondering from time to time what was happening to the belongings inside, wanting occasionally to come sooner to claim some memento. But all of that was in the hands of others, and he knew there would be no mementos. Memory and the odd sepia photograph that had somehow made its way to him, these were all that were left.
Walking back up the long, curved footpath to the rear of the house, Ben notices that the area surrounding the old fishpond is more alive than the rest of the yard. It appears almost unchanged, a small jungle oasis of Fishbone Fern and Bromeliad, of Elephant Ear, Staghorn and Maidenhair. There had always been something magical about the pond. He was frequently in trouble for spending too much time there, gazing down into water when he should have been doing homework. He can’t think what he did there. What had held him there all that time?
Ben thinks about saying goodbye to the new owners, thinks about asking what they have planned for the property, but the heavy tools leaning against the side of the raised stone wall of the pond – sledgehammer, crowbar, pick and shovel - tell him the answer. Some areas in the yard below have already been cleared. Besides, if he knocks on the back door he will see inside of the house, and he does not want to do that. He turns to leave via the side entrance.
But something stops him. He turns sharply as though someone has called his name. He knows it is some trick of the mind. It has been doing it a lot lately. It’s nothing, he thinks, but finds himself looking at the pond. He feels it is only fair that if he has said goodbye to the rest of the yard, which is already dead, it is fitting that he say goodbye to the one remaining living part.
He walks across and stands in front of the pond. The stone wall is knee height at the front, rough sandstone fitted together like a jigsaw puzzle with miniature pathways of concrete weaving their way over the surface. He remembers being surprised when he was young to find that at the back of the pond, where the ground fell away, was much higher. It is oval in shape, and the walls are concave so that it appears to be a dome, or a giant egg, mostly submerged and with the top sliced off.
Ben kneels down. He brushes a hand through the delicate Maidenhair. He runs his hand over the moist stone at the rim of the pond, crushes lichen and smells his palm. This is life, he thinks, this is life. And then the water itself. He looks into the water as the fish wriggle to the surface, pause, then turn and hurry away. He looks at the surface, the blue glassy surface and wonders again what happened here. How many hours of his life had been taken up doing this? Looking in wonder, wondering. Lost. And then his name called from some other place.
Ben’s hand slides over the edge of the rim and into the water. It’s as cool as it ever was. He rolls his sleeve up and sinks his arm in deeper. He runs his hand over the slimy inside wall and closes his eyes. He’s done this before. This is what he did. So long ago. A lifetime ago.
He remembers something. He found something. He hid something. There was a place. Was it still there? Here in the pond, there was a crevice and it held something precious, something his mother had thrown away during one of their fights. Ben feels around in the dark water, feels the shape of the wall inside fall away. He leans over, reaches deeper. He remembers it so clearly now, wonders how he forgot. A ring. There was a ring. He finds the cavity. So familiar. In reaching deeper he has turned his head to the side, but he looks back again, looks into the water, and reaches deeper.
There is a pull, a force he cannot fight. Ben slips over the wall and into the water, the ring gone, pond not deep, and yet he slides down over the slippery inside wall. He is completely submerged, torpedoing down the interior curve of the egg, and it is not possible that he can keep going. Surely the wall will level out so that he can push off from the bottom. Further down. Further until there is a leveling... and then nothing.
Panic then as Ben free-falls through dark water. He spins and twists and glares out into the inky water. The cool flesh of fish brush blindly by as he sinks and spins and can’t determine which way is up and which is down. He kicks out, scissors his legs and finally sees the white light of the surface. He is upside down. He twists again, and in the opposite direction is the blue light of the surface. Blue light, white light. Two surfaces? He needs to move quickly before he runs out of breath. Blue light. White light. The blue must be the sky, so he kicks out and pulls his arms through the water in that direction, only to realise that he is in fact swimming down, not up. He turns. The white light looks so far away. He feels something pull at him. He gives in to it then, and feels peace as he heads down towards the blue light.
Ben breaks the surface and retches into the air. He chokes and breathes heavily, gulping at the cool air. He kicks to stay afloat and wipes the water from his eyes, and looks around. He is in a cavern, a grotto filled with a deep blue light that seems to emanate from the walls. It is the most beautiful place he has ever seen. And he has been here before.
Ben swims to the side and pulls himself up onto a ledge. He lays back for a few minutes and waits for the dizziness to subside. When he sits up again, he sees that the water has settled back to a glassy stillness, such a deep blue it is almost black. He knows he should be trying to figure out what just happened, how to get back, but he is content for now. It’s the magic of this place. It soothes him. He wants to stay for a while. He removes his clothes and drapes them over a rock. He doesn’t think they will dry, but they are uncomfortable anyway. Naked in this strange place, he just feels right.
There is movement then. A slight movement on the ledge across from him. Ben squints through the light and makes out a shape. Just a few meters away from him, there is a person. They are sitting with their legs pulled under their chin, arms wrapped around their knees. They have lifted their head slightly to look at him. They are still again, and although Ben cannot see clearly, he knows she is looking at him.
Ben,” she says quietly. “You’ve come back. After all this time.”
Ben remembers, and the memory crushes him. Something inside him dies. He was meant to come back so long ago but he didn’t come back. He promised and broke his promise.
I’m sorry,” Ben tells her, knowing how weak it sounds. “I meant to... I’m so sorry...”
Don’t be sorry,” she tells him. Her tone is one of kindness, a kindness that makes the sorrow even harsher. “You’ve come back. No need to be sorry.” Ben knows she is smiling at him. She is happy to see him, happy that he has come back.
Angeline shimmers and glistens and Ben realises there are tears running down his cheeks. A lifetime of memories fall away into insignificance. She was the most important thing, and he had forgotten. He lost his way and simply forgot. How could he have forgotten such a thing? How could he have forgotten such a promise? How could his life out there have taken over?
Angeline slides into the water. She barely disturbs the surface as she glides through the water and suddenly she is next to him. They sit side by side. Her skin is iridescent blue, just as he remembers it, and her face a creation of the strangest beauty, small features pinched and pressed in clay. He thought he knew love, out there, but that was nothing. She waited all this time; that is love.
It’s good to see you, Ben,” Angeline tells him. She really looks at him, looks closely, looks at the changes. She has not changed at all. He wants to look away. He is self-conscious, ashamed of the changes and what they represent, but he continues to look back at her and is almost overwhelmed by his love for her.
I can’t believe you waited,” he tells her quietly, and she smiles at this; she kept her promise.
Angeline puts one arm around his shoulders and slowly they lay back. They wrap each other in their arms and one of her legs finds its place between his and it’s all so familiar now. So comfortable, so right. Ben closes his eyes and feels that sensation again, like he is being drawn down deeper and deeper. He opens his eyes and looks at her. Such beauty, he thinks, how could he have forgotten? He wonders if she will want to know what happened, what it has been like out there, but the weight of her limbs, her flinching fingers, her heavy and regular breath tell him that she is sleeping. He smiles to and he sees her smile in her sleep.
Ben opens his eyes. He wonders how long he has been asleep. Angeline is still lying against him. From time to time she twitches, and he wonders what she dreams about. He wonders what she thinks of him, and what she thinks of his broken promise.
And then a thought sears into his mind. It shocks him with its cruel clarity. He screws his eyes shut but it is still there. He opens his eyes again, and this faintest of movements wakes her. She moves her head back, her cheek still heavy against his chest, and looks at him with that familiar inquisitiveness.
Are you going back?” she asks. There is nothing in her tone. It’s a simple question, nothing more. No persuasion, no disappointment, no resignation, no hope, nothing. It’s as if she heard his thought. Except for the tilt of her head, she has not moved.
Ben thinks about his life out there, and strangely, the memory of it is not quite there. It’s like trying to recall a song you once knew, a name you can hear the sound of without quite recalling it. What is he forgetting? Is it her? Is she somehow making him forget? Is she letting him make the choice while taking it away from him? Does it matter? After all, he owes her. He made her wait so long.
And then through the falling sensation that has not quite gone away, Ben starts to wonder how long it has been since he was here. There is something strange about the easy familiarity. Can something from so long ago really return so easily?
How long has it been?” he asks her. “Since I was here I mean.”
She moves her head back and her fingers move up and around his neck. “I don’t know,” she tells him, her voice sounding distant. “What is time to me? I waited. I will wait, if you go.”
She is caressing the curls at the back of his neck. This, too, seems familiar. Ben doesn’t know what is happening to his memory. He feels there is someone waiting for him out there, but there is just a shadow where there should be a face. He thinks there is more than one, but who are they? Who is he? And then this other thought: has it really been so long?
Angeline,” Ben says, feeling like it’s been a lifetime since he said the name, even though it has always been there. “It hasn’t been so long, has it? I’ve been back. I have, haven’t I. I keep coming back.” He closes his eyes hard and the memories come back. Sometimes he has been here with her, sometimes he has walked by the pond in his dead past and merely caught a glimpse of her. But he has been back. He has kept his promise, in a sense. He knows, now, that he has been back
Yes,” she says. “You’ve been back. But you have always left. Don’t you remember?”
Yes,” he tells her quietly. “Yes, I think I remember.”
There is a single, distant beat, a dull thud like the single beat of a giant’s heart. Her fingers tighten around his neck, and he feels the metal of his mother’s lost ring against his skin. Something has shaken the serenity. They lay together in the blue light of the grotto and wait, knowing that there will be another beat.
Ben has the faintest memory from out there. This man-made pond, those tools lying against the side, the stillness surrounding the pond like the stillness of a cemetery on a hot summer day. He sees it as a ghostly, two-tone flash. Death all around… but, it suddenly occurs to him, not death. Just a kind of eternity where everything is part of everything else. It’s not so bad, he thinks, you just have to stop resisting it, this flow, this flux. The falling is not falling, but simply the unstoppable force of life and death, and it’s all the same, and our emotions and desires, our fear and our love and our hate and all the things we think we’ll miss are all there. That’s the truth of it, Ben realises. It’s all there, even if we can’t recall what it is. Ben smiles to himself, reassured that there is nothing to fear and that nothing will be missed, and he gently strokes the back of Angeline’s head.
Another distant beat. And another. Slow. Ben hears his name. So distant, such a familiar voice. The question is not asked, but it is there.
Not this time, Ben thinks, I’m not going back this time, because I understand now. He feels the weight of it again. He feels himself sinking deeper and deeper.
*
And on the outside her tears finally fall as she realises that this time, he is not coming back.

Thursday, April 15, 2010

Soulclipse Memories



Just came across this clip on youtube, the first of many this person took of Soulclipse in 2006. It captures the experience beautifully. The rain, the mud, that ridiculous storm that swept through the place and destroyed mainstage, sitting on the bank of that green river, the smiles and dancing... even that bloody awful Effes beer I hated so much, I loved every minute of it. Ann and I were in that crowd watching the birdpeople dancing to Simon Posford's gorgeous music. I've just properly wandered down memory lane with tears in my eyes and a smile on my face. Amazing to think we made it to that festival. Wonder if we'll make it to Easter Island for the next eclipse party.

Wednesday, April 14, 2010

Tiger Woods Circus

Latest Acid Tongue in the current issue of 3D. Ya know, I miss the days when the designers played with the Acid Tongue logos. All this straight typeface... it's just not rock 'n roll, isit.

Sunday, April 11, 2010

A Short Play With a long Title








TANGLED UP IN BOB



THE TITLE OF BENITO DI FONZO'S LATEST PLAY IS QUITE A MOUTHFUL: THE CHRONIC ILLS OF BOB ZIMMERMAN: AKA BOB DYLAN (A LIE) – A THEATRICAL TALKING BLUES AND GLISSENDORF. IT'S A TITLE THAT'S AS ENIGMATIC AS THE SUBJECT OF THE PLAY. LEE BEMROSE CAUGHT UP WITH WITH THE WORDSMITH BEHIND THE PLAY.


A shorter version of the play had a brief but successful run in Sydney before it was extended to its current one hour and taken to The Adelaide Fringe Festival. Adelaide audiences have been loving it with reviews from critics and punters alike being pretty damned enthusiastic. The thumbs have been unanimously up. Well almost unanimously.


“We've only had one negative review,” Di Fonzo says casually, possibly enjoying this one negative one as much as the postive ones. “We've had no paying customers ever think it was anything short of brilliant, but we had this industry showcase and we invited some producer from America and he was confused and possibly offended by the fact that we had Abraham Lincoln speaking Yiddish like Lenny Bruce. I think he thought we were disrespecting... I'm not sure who he thought we were disrespecting. But Bob Dylan's father was Abraham Zimmerman who did speak Yiddish as his first language, so it all makes perfect sense.”


Yes, perfect sense.


The play came about after Di Fonzo read Dylan's Chronicles 1, the first in a planned three part autobiography. He was fascinated by what was going on in those pages and immediately re-read it. When asked to contribute a short play to the Short & Sweet festival, he really wanted to do something Dylanesque, fascinated as he was by the self-mythologisation contained in Chronicles as well as the style it was written in – described by Di Fonzo as more Kerouac than Kerouac.


But Chronic Ills is no straight bio. Indeed, as the title would suggest, it's a little difficult to get your head around just what the play is. First and foremost, Chronic Ills is by all accounts (excluding that of the confused American producer) very funny. It has emerged from reality but is very fictional, following, as it does, the journey of our hero as he encounters some of those figures who have been most influential to him: Woody Guthrie, Joan Baez, John Lennon and Yoko Ono, Jesus Christ and more. The characterisations have been lauded as hilarious (Lennon dopleganger John Waters of Glass Onion fame even had a hand in nurturing the John Lennon character into believability)... and yet it's not quite a pisstake either. Not completely. Dylan and Co are treated fondly... somewhat.


Naturally, dealing with one of the most influential musicians of modern times, there has to be music. There is a double bass, a ukelele and a theremin (naturally) as well as around a dozen or so songs or fragments of songs. But settle all you Dylan haters – due to issues with rights there is no sign of Blowin' In The Wind or Tangled Up In Blue. Rather there are numbers that Dylan performed and recorded, but none that he wrote.


But Chronic Ills is not a musical either. Well it is. Sort of.


“If you look at one of the subtitles,” Di Fonzo explains, “you'll see it's 'a theatrical talking blues'. Talking blues pieces are basically stories spoken while someone plays blues under it, so it's almost like one long piece of music. It's a classic folk tradition, so it's like a one hour song, in a way.”


You've probably made it this far thinking uh-huh, okay, but what the hell's a Glissendorf? I would say Google it but this will only add to the confusion... in fact no, Google it. Have fun with that.


There are enough Dylan references in the script to keep the Bobcats busy Bobspotting, as well as enough broader humour to keep the rest of us laughing. One can only wonder what the man himself would make of it.


WHAT: The Chronic Ills Of Bob Zimmerman: AKA Bob Dylan (A Lie) – A Theatrical Talking Blues and Glissendorf


WHERE & WHEN: Old Fitzroy, Woolloomooloo from April 7


Photographer: Jen Hamilton



Sunday, March 28, 2010

Everything Is Funnier In A Scottish Accent

Grumpy


Sitting in a pub. A woman sitting at another table comes back from the toilet with a bit of her long skirt apparently tucked into her panties. Her arse isn't on display or anything, it's just pretty obvious that there's a bit of wardrobe malfunction going on. For some reason she continues to stand and talk to her friend, and I'm really hoping she'll realise what's happened because it just looks a bit... it just looks a bit... wrong.


I lean over to The Dreaded One (so called because of her fluro dreads) and tell her, “I really feel it's my duty to tell her that her skirt is tucked into her panties.”


Almost on cue, however, the woman must feel something is not right because she reaches behind and tugs frantically and not as discreetly as she would like at the skirt. It takes a bit longer than is probably desirable (it's a full length skirt and there are many folds to be negotiated in a quietly frantic way) but finally the bit of hem is extracted from the panties. Phew. She quickly looks around to see if anyone noticed what just happened, knowing that that probably everyone saw what just happened.


I lean over to the Dreaded One without missing a beat and tell her, “I now really feel it's my duty to tell her that she's got a small bit of poo-stained toilet paper stuck to the bit of skirt that was just stuck in her panties.”


There is no poo-stained toilet paper, but the idea has amused me.


Not so much The Dreaded One. “That's disgusting,” she says.


“You wouldn't say that,” I assure her, “if Billy Connolly had said it.”


Silence.


I lean over to The Dreaded One and tell her, “Och, ya noo, ah feel it's mah dooty ta tell the lass that there's a wee bit 'o poo-stained bog roll attached to her skirt.”


If I'm not capturing it here in writing, trust me that in real life it was a damned fine Scottish accent. And The Dreaded One's reaction? Sprayed her drink and almost fell off her chair laughing.


I propose an International Talk Like A Glaswegian Day. It will be the funniest day of the year.


Grumpy is Lee Bemrose, freelance writer. Contact him at twobluefish@bigpond.com





Wednesday, March 24, 2010

The Return Of The Wedding Uninvitation

















You might remember sometime ago a close friend uninvited me to her wedding. Relations were a bit strained for a while, but we've hugged and made up and all is forgiven on both sides, as you can see from the above. It arrived in the post complete with my name misspelled. It's pretty damned funny, really.

And yes, we really have made up.

Monday, March 22, 2010

Brainspill 2: How Will I Find You?

Went for drinks at The Taphouse yesterday. Didn't think I'd go back there after a bit of an altercation a while back, but hell, water under the bridge etc.

A friend was in town for birthday drinks and a few doofer friends were going to be there. They started to trickle in and we moved into a room upstairs. It's a beautiful pub really. I hadn't fully recovered from the night before - The Dreaded One and I stayed in and stayed up getting messy. It was a lot of fun. We still get a lot out of each other when alone, after all these years. We've had some bumpy times over the years because I develop some pretty strong friendships with women from time to time. She once pointed this out and asked me, what are you looking for? What are you trying to find?

I'm not looking for anything. I'm not trying to find anything. What happens is, somehow these people find me. These unlikely friendships, they just happen. Our snug little world has been shaken up from time to time, but when the dust settles what's left is our life being enriched that little more by the presence of these new people. They find me every time. Or perhaps we find each other.

Is there a pattern? Maybe. It usually goes, life chugs along then New Person appears out of the blue. A kind of love emerges. It's me initially, but then there is real friendship between The Dreaded One and New Person too. This happened maybe five times, and after initial friction and uneccessary jealousy, there is real friendship. One New Person, for a while there I didn't think they would ever be in the same room as The Dreaded One, but I've seen them together talking and laughing like the very best of friends. I think it gets easier now. I really am not looking for anything, but I willl embrace another friendship just as tightly if it comes along. If it finds me.

The Dreaded One's best friend once asked her, in the next life, how will I find you?

That idea has lingered for a long time. It's beautiful and sad, and maybe that's what we're all doing, we're all trying to find each other.

So yesterday in the pub, upstairs in our private room. Sun is setting, room is filling. There is talk but my mind wanders. I'm tired and more drunk than I probably should be (but just as drunk as I frequently am). I start looking around at all these faces and am struck by how much I like these people. All of them. Talking faces. Laughing faces. Faces that simply were not there, once upon a time. This room full of people... where did they come from? How did their paths cross? How did they find each other?

There are other faces I want to be there in that room, but they cannot be there. Life's a merciless wind that blows us about like fallen leaves. This is good in many ways. Lives connect unexpectedly. If you're lucky, someone makes an impact and they are part of your life. You've found each other against all the odds.

I'm happy in that room, happy and a little melancholy. But mainly happy. There are hugs and laughs and plans made for the future. Some golden people in that room. Nice things are said. Feelings are expressed. Kind of people they are.

At one point The Dreaded One takes the vacant seat next to me and asks if I am all right. She knows me pretty well. She's been watching me. She asks if I want to go home. Yeah, I say, I think I do.

We say our goodbyes and make our way home.

Thursday, March 18, 2010

Death In Bowengabbie Review








Death In Bowengabbie took out last year's Philip Parson's Young Playwright award after its writer and now director Caleb Lewis pulled it out of the running. This says a lot about how highly regarded the writing is, and indeed it is very good, by turns moving and funny. At times Lewis can be as evocative of place as Peter Carey. And in solo performer Andrew Brackman, playing a multitude of characters including a Tasmanian Devil called Rasputin, we have an actor capable of delivering comedy as well as the vulnerable and flawed stuff that makes us human. And yet, for me, it took a while to warm to the play. It won me over in the end, but there were minor issues.


Oscar returnes to his home town of Bowengabbie for a series of funerals, all rapid-fire 15 years after his departure. Each funeral is orchestrated by the departed to out-do the previous funeral in theatrics, and eventually it becomes apparent that something is not quite right. Are the deaths in this strange, dying town coincidence or are they linked? If someone is topping Bowengabbie's elderly, why? It's a love story within a mystery within a comedy.


It's hard to nail exactly what the flaws were (assuming they were onstage and not simply in my head), but they seemed to be in the credibility of it all. It all starts off straight enough, but we're gradually drawn into a dark, off-kilter other place and other time, and for me there was something not perfect with the transition. It took me there in the end, but with a couple of small bumps along the way. The love strand of the story didn't sit quite right with me, as though it need a longer time to unfold and truly draw us in.


And yet, and yet, and yet... the play becomes more farcical (if that isn't to strong a word) as it progresses so that it ends up being quite a different creature to the one we sat down with. And there were some delightfully funny moments both in the lines and their delivery. There are some really sweet, oddball characters living (and dying) in Bowengabbie, and they will win you over.


At The Old Fitzroy, Woolloomooloo until March 26


LEE BEMROSE



Wednesday, March 10, 2010

Death In Bowengabbie - Interview with Caleb Lewis

Wow, they've crammed these stories in so much that it looks like the heading is 'PUTTING THE FUN IN ANGRY FUN FUNERAL'. Funny that the word fun should appear in both headings.

Anyway, seeing the play tomorrow night. Sounds pretty good, review next week.

Been a bit slack with this blogging business, haven't I. Been a lot going on. Said goodbye to someone I didn't want to say goodbye to. Sad, but kinda beautiful as well. Have some good people in my life. Once were randoms, now close friends. You have to love that kind of shit.

Tuesday, February 16, 2010

Acid Tongue, 3D World Issue 998

Funny that I'm still writing for 3D after leaving as music ed/staff writer about... erm... was it four years ago? Bloody hell.

Anyway, I got an email from the new 3D editor saying that the arts editor of Drum (formerly of 3D) passed my name on for Acid Tongue columns and another column called Underside. Effectively the same thing, which is pretty much the same kind of stuff I write in my Grumpy column for Tsunami.

I think I have to be quite flattered that each magazine has had several changes of editor and I'm still writing for both. 3D was a bit stop-starty after Turkey but hopefully now that Drum owns 3D there will be no more problems. I do like writing this kind of silly shit. This one was a result of a conversation I had with good friend Chloe, me giggling here in Australia as I wrote the Viking bits, her pissing herself laughing in New Zealand as she read what I was writing. Fun stuff.

And yeah, Like The Dreaded One said, it's old school. Think I have to stop writing about Vikings and Penguins.

Wednesday, February 03, 2010

TGF

GRUMPY

Lying in bed wondering what the next Grumpy column is going to be about. It's late at night and I'm shagged after a two week road trip down to Rainbow Serpent and back. Surely something happened in that four day orgy of dancing and silliness that will do, but so far nothing has TGF (aka, The Grumpy Factor). My mind is kind of whooshing and wobbling deliriously. Dogs? Done it. Bra Pee? Done it. Farts and orgasms? Did it twice, and two columns out of that one unfortunate incident was already pushing TGF to the max. What the hell am I going to write about?

The phone rings. It's bedside waiting for 4.30am to play its role as my alarm. First day back at work in a few short hours. I look at the phone. Kid sister who's extended her road trip from Victoria to Queensland, currently around the Byron area. It's so late it could be important. I take the phone out into the loungeroom so as not to wake the girlfriend. What follows is a conversation spoken in hushed tones on both ends. Seems kid sis and her boy were doing some late night Nimbin-type business and things got a bit tense. She didn't want to elaborate on the phone but some guy in the street they were making a purchase from (I don't know – fruit and veg or something?) got a little jittery and that made them jittery. They scarpered out of town quick smart in their rental car and were currently trying to sleep in the car on a little suburban laneway. They were both quietly freaking out a little bit. I'm sure she used the phrase “zombie hillbilly hippies”, which is not a phrase you tend to hear all that often these days. Currently the boyfriend – having had enough of trying to sleep inside the car – was cocooned in his sleeping bag on the laneway's grassy verge while she sat inside the locked car keeping a watch-out for the aforementioned zombie hibillly hippies. The murmured conversation came to a halt with a scream when he scared the shit out of her by tapping on the window and asking from the depths of his hooded sleeping bag if he could get back inside the car please because ground creatures appeared to be crawling all over him. Either there really were ground creatures crawling over him or they sold very interesting fruit and veg in Nimbin.

I go back to bed. I try not to think about the fact that I only have about four hours before I have to get up. I also try not to think about zommbie hillbilly hippies.

Pretty soon the security door gives a brief burst of it's unique hellish buzz. It's not the kind of buzz a real visitor with intentions of actual visting uses. Too brief. A mistake, I hope optimistically. I close my eyes. The buzzer goes again. Half a second of buzz, no more. Then another, slightly longer one. Is someone Morse coding on my buzzer on the wrong side of midnight? The fuck is going on?

The buzzing gets braver. More insistent. I have three friends staying at the moment, so even my fatigued brain figures out that someone went out tonight and...

“So sorry – left the keys in my other bag...”

I let the two of them in. I tell them they are fucking idiots and give them goodnight hugs. I go to the bathroom and sit down on the loo, grinding my knuckles into my eyes. I hear a key go into the front door and figure guest number three has just arrived home, which is fine. A short time later the bathroom door swings wide open and guest number three walks fully into the white glare of the bathroom, me seated with my track pants around my ankles, which is not so fine. We are good friends but this is definitely entering unchartered waters of the friendship.

“Oh,” she says. “Hello. Didn't expect to see you in here.”

“Hello. I was just thinking the same thing. Do you need to use the, erm...”

“Not urgently.”

“I won't be long. And it's all right – I'm not doing number twos.”

“No? What are you doing then?”

“Not that either. That would be really awkward. I'm just doing a wee.”

“Really? You sit down to wee?”

“Not normally, but I just thought that with it being this late at night and me sharing the house with four women it would be wise for me to not run the risk of leaving the seat up. And actually, as it turns out, it's quite an ergonomical way of doing things. Quite comfy.”

“That's really considerate of you,” she smiles at me.

“Yes... and do you think we should finish this conversation outside?”

“Oh. Yes. Sorry.”

I make it back to bed but not quite to sleep, tormented for the few short hours I have left that absolutely nothing, it seems, has TGF at the moment.

Grumpy is Lee Bemrose, freelance writer. Contact him at twobluefish@bigpond.com

Sunday, January 17, 2010

Bra Pee


-->
GRUMPY

I'm in Turkey for a week-long dance festival. There's going to be a total solar eclipse smack bang in the middle of it. It's all going to be a little bit awesome. Farthest I've ever traveled for a party and there's a light show you just wouldn't want to miss. I haven't been to this part of the world before, so I know for a fact that everyone's a dodgy fucker looking for a way to do you over. What do I do about that? I get in shape before I leave. I shave my head down to a five oçlock shadow and generally try to exude the air of someone it would be wise not to fuck with. It's a plan that works well. Walking through markets and down dark alleys, I play the theme from The Good, The Bad and The Ugly in my head. I assume dodgy fuckers everywhere can hear that theme song because no one fucks me over.

So I've got this Clint Eastwood thing going on, which is why it surprises me so much when I'm mistaken for another Hollywood hot-shot. And I must add here that modesty usually prevents me from telling this story. I'm really quite a modest person, so I find this a very hard story to tell.

I'm in the communal room of a pensione outside of Effes. I've been talking to a Canadian traveler. I'm chilling with my girlfriend at the time, sitting on a cushion with my back against a wall. When suddenly a couple of Japanese travelers comes crashing through the door. I do some menacing squint action because you never know – they could just be ninja assassins or something. We stare at each other across the room. I cue up the theme from The Good, The Bad and The Ugly. It's a tense moment packed full of... um... tension.

Suddenly the Japanese girl points at me. I chew on my imaginary cigar and tighten my grip on my finger gun as the girl excitedly says, “Rook! Is bra pee!”

I give a WTF look at the others. They WTF back at me. I WTF the intruders. There's a whole bunch of WTF ricocheting about all over the place.

“Bra pee!” Ninja assassin chick accuses again.

“What did you just say to me?” I Clint back at her.

“I get camera. Oh my God. Bra pee!”

“Why do you keep saying bra pee at me?”

The Canadian seems amused by the whole thing as she says dryly from the back of the room, “She thinks you're Brad Pitt.”

The girlfriend looks at me like she's very amused and barely able to hold back hysterical laughter. I look at the girlfriend like aren't you the lucky one, Angelina. I also get a bit excited in my pants but the excitement goes flaccid when I realise that the ninja assassins must have dined on some of the most powerful hallucinogens known to mankind.

And, so, there you go. It's just one of those little stories that modesty forbids me from sharing with anyone else.

Grumpy is Lee Bemrose, freelance writer. Contact him at leebemrose666@gmail.com

Thursday, January 14, 2010

New People


Oh funny. I accidentally came across this post from many months ago. The irony of me actually wondering if I should have met this online person in real life. And the irony of that tone of... it's kind of like I had accepted that that one meeting was going to be it and that I'm glad that at least it went well. I really thought I wouldn't be seeing her again and was so grateful that we got on in real life as well as we did online. Almost a year later and we've hung out many, many times in spite of the distance between us. Just made me laugh to think that after she went I really thought, that was that then. We'll be hanging out at another multi-day dance festival in just over a week and celebrating our birthdays together (her, I and The Dreaded One are in the same few days).

Same thing with this post, while I'm indulging in a little nostalgia. It now seems ludicrous that I actually wondered if this "new person" and I would stay in contact, given the many adventures like this one we've had since.

Friday, January 08, 2010

The Pitch, review

THE PITCH


There will be a couple of rare times during your life when you will be sitting in an audience being hugely entertained, laughing your arse off whilst simultaneously seething with with envy at the talent on display before you. Peter Houghton's The Pitch is one such occasion. What a talented bastard this guy is.


Written and performed by Peter Houghton, The Pitch follows a writer preparing to pitch his screenplay to a panel of Hollywood big-wigs. He's got most of the story down but needs an ending, but he's going to wing it and come up with something.


From the moment Houghton takes to the stage through to the end there is barely a moment to catch your breath. This is a frenetic performance. It's a dazzling comedic actor delivering a dazzling bit of writing. It's a parody of movie cliché that draws the audience into both the character's personal turmoil (it's unexpectedly moving at times) as well as the very cliches that pull us in to big screen entertainment. While your intellect sits there stroking its chin and admiring the writing and the acting and understanding that Houghton is making us laugh at the formulaic engine of movie-making as well as the fact that we actually love and need these very formulas, the innocent part of you will simply be laughing with sheer joy.


Good impersonations can be comedy gold, and Houghton delivers some wonderful ones including John Malkovich, Clint Eastwood, Robert DeNiro, Russel Crowe, Sean Connery, Stephen Fry, Sir John Geilgud and the sultry Katherine Zeta Jones who all star in this deconstructed block-buster.


But the appeal of this show doesn't rely on these very funny impersonations. They are merely tools. Very funny, clever tools weilded by a mechanic or a carpenter who... I'm fucking this metaphor up badly so I think I'll start a new paragraph.


Peter Houghton is an Australian actor, writer and director, but this compact play (less than 90 minutes, I think) has international appeal. Accents and parochial traits are dealt with as skillfully as the impersonations, and perhaps this is one of the secrets of the show's success: it's funny because it's true.


Not that many of us have pitched screenplays to Hollywood producers, but you recognise the truth of the situation. Somehow it's a universally-recognised situation in the same way that the four or five basic storylines presented in this play are recognised without us necessarily having to experience them. This is turning out to be another pretty rubbish paragraph so I'm going to start another one in which I'll try to round things up and convince you that you should just take my word for it and go and see this show.


There's a lot of really good stuff on offer with the Sydney festival, but this dynamic little show at one of Sydney's theatrical gems is going to be hard to beat. Spiegeltent schmeigeltent. Go to Darlo and see The Pitch. There will be a moment when you will realise that you are witnessing something very special. In fact, there will be many of those moments. Think Robin Williams at his peak. Think Umbilical Brothers. Think Mel Brooks' The Producers. Think... look, just take my word for it; you'd be a fool to miss this show. I'm going back for more and I don't think you can get a better recommendation than that.


The Pitch plays at Darlinghurst Theatre until January 30.


Thursday, January 07, 2010

DOGS!


GRUMPY


Sitting at a doof, talking bollocks to a friend. Two dogs come thundering by, yapping at each other and generally just impossibly happy. But happy about what? Happy to be dogs. Doesn't matter what happens around them, they are dogs and they are bloody happy about that. Armageddon? Doesn't matter – we're dogs!


“But listen, dogs, it's God here and I have an offer for you. Being dogs must be fun and everything but it has its drawbacks too. Your body odour isn't always sensational, you have fleas to deal with, dog food, smelling each others bottoms all the time etc. If you could be another creature, what would it be?”


“Dogs!”


“No no no. You don't understand. I'm giving you the opportunity of being absolutely any other creature in the world. You name it, you're it.”


“DOGS! Fucking love being dogs!”


“Right... so not humans with their opposable thumbs and... and spoons and iPods and -”


“Nup – dogs mate. Just dogs. It's awesome being dogs. We totally love being dogs! Being Dogs is the best! Woooo!”


“But humans have the Internet and socks and... okay. Forget humans. Not my best work, just between you and me. They really lost me when they came up with that telemarketing sub-species. Urgh. But what about, I dunno, dolphins?”


“Dogs!”


“Meerkats? Meerkats are adorable.”


“Dogs!”


“You could be butterflies? Butterflies are beautiful.”


“No way! Dogs! Dogs dogs dogs!”


“Aw c'mon. It can't be that good. What about... imagine being a lion. King of the jungle...”


“Technically it's king of the savannah. And nup – DOGS! Yay dogs!”


“The savannah? Are you correcting me on this? Your creator?”


“You bet. Lions live in the savannah. Look it up. Faaaarck we like being dogs. Dogs totally rock!”


“This is ridiculous. Being dogs can't possibly be that good. What about... what about dragons?”


“DAWGS... dragons? You could do that? With the wings and the fire breathing?”


“Ha. Gotcha. Yes, I am God and I can make you anything, even dragons. Whaddaya say?”


“Naaah, dogs mate! We heart being dogs! Dogs forever!”


Sitting at a doof. More or less an actual conversation. It went on for quite some time but I think we'll leave it here.


Grumpy is Lee Bemrose, freelance writer. Contact him at twobluefish@bigpond.com


Tuesday, January 05, 2010

New Psycle, New Year, New Pants

Hello and welcome to 2010. Wonder what this year will be like. For me, it's already off to a better start than the last couple of years.

Christmas day was fun. Had a couple of friends around for turkey, wine and nonsense. The day is a bit of a blur now but it was a lot of fun. The moment I remember most clearly was when I decided that it would be an awesome idea to light the entire box of sparklers at once rather than going through the packet one at a time. I was half joking when I made the suggestion but a friend, Lizzie, whipped her lighter out so damn fast I knew there was no going back. I'm not sure what I was expecting but what I got was a hand-held solar flare. It was blindingly bright and really quite hot. Fortunately I had the presence of mind to take the sparklers out onto the balcony. Unfortunately our inflatable wading pool is also out on the balcony... was out on the balcony.

We managed to get a late night soak in the pool before it completely deflated. The Dreaded One was a bit pissed that not only did I break the pool but I also used up all the sparklers in a nanosecond AND she didn't even see it all happen.

Anyway, much merriment was had with the last of our guests leaving at about 5am. It was then that we realised how loud the music had been. Boxing Day was very sleepy.

Filled in the next few days hanging out with my spiritual kid sister. Had lots of laughs, played tennis and a fun game called Connect 4. I think I've got the tennis bug again... except that both of us got pretty sunburned and my knee is doing weird things, which could be a result of stomping at the New Year's dooof or when I took a pretty hard fall on the rocks on the dry river bed.

Ah, the doof. The directions I printed out were next to useless but we found our way there anyway. We've been to the site twice before but it was stilll difficult to remember details. We were greeted at one of the inner gates by the owner of the property who knew the rain was going to make the roads tricky when leaving and had spent all day laying hay in the muddier sections. He was covered in mud and gave the car a glance (family station wagon and not the 4 wheel drive we should have been driving) and said, "You're all totally fuckin' mad. I hope in fuckin'rains and yers get stuck her for a fuckin' week. Look at me, eh? Covered in shit... looks like I've been sleepin'with the fuckin' pigs, eh?" Lloyd is actually a really nice guy (who believes his property is inhabited by yetis and frequently visited by UFOs).

There were a lot of good friends at the party. The music leading up to midnight was pretty diabolical - a puffed up MC and dub step and drum n bass... yes yes my loathing of both styles of music is well acknowledged but it wasn't just me. The dancefloor was devoid of energy with a handful of stragglers wandering around wondering what the hell was going on. The MC was probably fine and in another time and place with another crowd the music might have gone down well but it was not what this particular crowd wanted. Proof was when they did the countdown to midnight and the psytrance came on the dancefloor was instantly rammed and jumping. Insto-energy. Suddenly, musically, everyone was having a great time.

Oh - back track a few hours. After setting up our tents by the river I sat down with my friend from Chicago. We met accidentally online and here were, somehow, sitting in the Australian bush having a beer. I just never thought it would happen. Hadn't considered it a possibility. I said words to that effect and it was a nice moment. Then a couple of dogs came thundering by over the moon with happiness at being dogs. It set me off on an imaginary dialogue about dogs being given the opportunity of being any other creatures but they just wanted to be dogs. DOGS! Ann later said she could hear my friend's resulting laughter off in the bush... a nice moment made nicer with laughter. (The dog thing willl be the subject of a Grumpy column, I feel).

Dancing in light rain all weekend. Various levels of intoxication. Couple of moments of drama that weren't needed but were unavoidable. Many hugs and a lingering appreciation of having good friends close by, friends who don't think twice about hugging you and voicing their feelings for you at random moments.

I had two wardobe malfunctions - I ripped the arse out of two pairs of pants in exactly the same place. Excellent work. Especially given that on one occasion I was going commando. Apologies to the beautiful warm and fuzzy friends who saw my fuzzy arse cheek.

The drive out was an hilarious adventure. Come back later for that one.

Meantime, hope you've had as good a start to the year as I have. Counting down the days to Rainbow Serpent. Hope 2010 is a good one.

Wednesday, December 16, 2009

And At That Moment Everything Changed, A Review

AND AT THAT MOMENT EVERYTHING CHANGED


Strangely, it was the title of this play that first appealed. As soon as I read it I had to find out what the play was about.


Playing at The Old Fitzroy in Woollooomoolloo, And At That Moment Everything Changed follows the arc of the relationship between Darla and Dave. They are a couple of best mates who almost against their better judgment decide to cross the line to the dark side and become lovers. They discuss old chestnuts such as whether girls and boys can in fact be close friends without sexual tension before taking the plunge, and we see the evolution of their coupledom over a big chunk of time against the backdrop of four Olympic Games.


It's not a new scenario and Darla and Dave are not the most original characters, and at least to this bum on a seat it seemed pretty obvious that that while they might be good mates, the character differences were great enough that they were probably doomed as a couple.


And yet something about it all clicked. Sophie Cleary as Darla and Yure Covich as Dave breathed life into what could have become characatures – she of a nervy, histrionic and insecure woman and he of a sport-obsessed bloke who loves few things more than beer, gaming and wanking.


That they created characters we cared about came down to some down-to-Earth acting and some understated but assured writing from Sarah Doyle that handled humour as well as it handled pathos. Genuine laughs here, and some moving moments. And most of us will recognise the awkwardness that comes from the struggle to retain individuality within the confines of coupledom.


LEE BEMROSE


Season Over



Thursday, December 10, 2009

Q & A with Goldie Feather, Bohemian Love Theatre at Peats Ridge Festival

I had to interview Goldie Feather (aka Zac Watt) for a piece on the Peats Ridge Festival. Had a hard time reaching him by phone so I emailed the questions to the publicist and she sent them on to him.

The story willl only be about 600 words for the mag but this is such an all round weird interview I couldn't let it go to waste. The guy is wonderfully nuts and he doesn't so much reveal what his show - The Bohemian Love Theatre - actually is so much as allude to what may (or may not) happen. The result? I want to go. I don't have a clue what's going to take place but I really want to go.

Here is the full 2000 word Q & A...

What can you tell us about the Bohemian Love Theatre?It is an organic entity, subject to the uncontrollable but Loving Forces of Universal Providence (I just made that up). It is a whirling dance of ideas and mischief made form from the Fire of Love & the even liberating hearts and deep down terrified minds of over 300 thinking Human Monkeys (over the course of its existence).

It’s a huge stage in a 15 x 25 hoecker style tent. With reams of lush velvet, brocade, carpets , cushions and hundreds of meteres of lovingly hand sewn ivy – all stitched together with visible patches and little bits of string.

What exactly is it The Bohemian Love Theatre?The BLT is what we call a 'Performed Venue'. In a way you could say that the tent and the stage and all of the bits in it are sort of props in a huge show – like if you imagine someone making a movie, set in some alternate reality – like some kind of lost in time, boho beat sci-fi fairy tale love world, and they needed a big kooky circus tent style thingy which was 'of that world' – well that’s the BLT.

What happens inside?It is sort of a secret, reserved for those who do find their way in, but I can tell you a little bit.

It’s kind of like entering the womb of a giant, beautiful beast. The people are its blood and the electricity that enables them to continue functioning is the electricity of the organism – you, me, everyone.

It has a Hotpants cannon in it.

It’s very, very pretty.

Can you quickly run through some of the performers and what they will be doing?Well there are some crazed monkeys – 10 in total – they break free from their cage and attack people in the audience generally. Then there is a 40 person Hotpants Army – they march triumphantly in support of a wave of change – long overdue change – in the realm of men’s summer fashion, firing Hotpants out of a 4 barrel compressed air Hotpants cannon and volleying them into the proverbial maw of the waiting audience with tennis racquets.

There are also a couple of frogs on gold choppers and a surprise giraffe with a 6 inch penis. There are many more – 120 in total – not including those enlisted on the night.

Do prospective audience members really have to audition to make it inside?Yes, yes in a way they definitely do. There are three factors that can help a person interested in getting in. Number one is a good costume - no one can get in without a good costume – you have to be able to pass as being 'of that world', you see. That said there have been many people who have created sufficient costumes on the spot, swapping clothes with other people can work, some people have simply gotten naked... one girl took three safety pins out of her jeans and pierced her bicep with them – they all got in. That’s kind of the second factor – willingness to 'go there', spontaneous acts of atypical behaviour, presence of mental clarity in dealing with some of the Gatekeepers' challenges, outpourings of unusual emotional substance... these types of things could get you in. Of course being first in line can also help, a bit, but the one most powerful thing is one of Signor Piggy Wigg’s special little Shiny Golden Tickets – there is no absolute promise but man they can move a lot of obstacles...

Don’t wear any shoes cause you can’t get in with them – absolutely can’t. You can leave them at the door but some people don’t like to do that.

Does anyone in the audience ever upstage the performers?It’s often hard to tell who’s who – naked people in the past have made quite a splash but that will all be taken care of this year.

There was one guy dressed as a six- armed bug once in the tent – he got called up to be sawn in half by Dangerboy. He was visually striking and thus made quite an impact but I don’t think you could say he upstaged Danger – it’s a very equalising realm in there...

From my reading I get the impression that there's quite a bit of spontaneity in the show. Is it scripted/choreographed or is it quite spontaneous?It’s what we often refer to as 'Raw, semi-rehearsed madness'. In fact we have actually been rehearsing it for months now but its scale is so grandiose and its nature is so intense that it never really comes entirely into our control. It has 120 or so human hearts and minds pouring into it in various ways. And then when it comes to life on the night there a further three to four hundred added to the mix.

Even one human is a weird thing when you think about it.

We just have to abandon ourselves to moonlight sky with fingers crossed and lots of deep breathes.

By the time we get there it’s a bit like, 'Well this is what we ended up getting together for you.' And the magnificent flow of the wonder of it all just fills in the gaps.

Audience participation scares me. Should I be scared of The Bohemian Love Theatre?No, no, no. You shouldn’t be scared of anything.

But as for the BLT - it’s a very nurturing environment – the inside is quite a lot calmer than the outside - intoxicating, electrifying, a little bit spooky but ultimately quite soothing. That’s part of the challenge – Can you make it past them Gatekeepers? But you won’t be exposed if you don’t want to be.

But if you do want to be you could join Min Mae’s Tableaux Vivant – she needs around 40 or 50 people to get naked on the stage so she can sculpt up some beautiful naked human flesh tableaux. Tell her you’re keen at the gate - it could help you to get in.

Tell us about your creation, Goldie Feather.The full name of him/her/it is 'The Great Golden Fool Goldie Feather'.

I’ve always thought that this world needed more idiots – more great golden fools – people to remind us that we are in fact all lost and that none of us know any better that any other.

We have had such marvels as Bowie, Iggy, Jimi, Jesus, Bon Jovi, Madonna, Rasputin, Farnsey – but who today?

It’s kind of like a cross between Baron Munchausen, the Drunken Buddha, a comedy Lion and Freddie Mercury.

I’m hopin’ that Goldie Feather's arrival can play a significant role in the evolution of the Human species into the long necked, see through, telekinetic, electric guitar genius, amphibian creatures that we are no doubt destined to become.

Often alter-egos do things their creators would not do. Is this the case with Goldie?The line has started to become very blurry.

Every two or three days I wake up bewildered, covered in smudgy make up, glitter, spandex – often surrounded by people, strange objects, costumes, animals. I feel like, 'Which one is this?'

Sometimes I find myself waving my arms in the air – dancing like my arm is the neck of an ostrich, hearing the music of Ennio Morricone in my head - but I’m in a supermarket or something. And I feel a bit shy and I sort of want to stop but I think, 'This is it man, this is your moment.' But it isn’t any moment – it’s just dancing.

I guess that kind of stuff’s pretty common nowadays though – with the internet and everything.

What a world!

Why the name Goldie Feather?Like Michael Hutchence said, 'We all have wings...' and then some other stuff.

Once a friend asked me 'Why do you spend so much time painting your beautiful white wings gold? Everyone can see them you know...' (She really loves me). So I guess I just excitedly thought – 'I’ll split in two – keep on painting them wings by day, make a career of it and then when I’m in my little nest at night I’ll throw it all off and be free like a fragrant breeze'.

It didn’t really work like that though – both seem equally as foolish and breezy... there even seems to be a couple of others coming around lately.

Is this show very different to previous shows of yours that people might have seen?It is absolutely the most elaborate spectacle I have ever staged – once I have seen the full show – the big show that we are developing for Peats Ridge – it will be also absolutely, without a doubt the most elaborate spectacle I have ever seen. Except maybe Phantom of the Opera – I saw that when I was a kid – that was pretty elaborate.

What has been your favourite recent performance and what made it special?The first gig we did we offered a free toasted sandwich to the first five people who got naked at the event. This one guy got naked and climbed up on the stage but he fell over backwards, tangled in his pulled-down pants, and rolled back into a ball onto the drum kit – revealing his entire anus. I had such a great position that if I had dropped a hardboiled egg directly out of my hand it would’ve likely popped right in.

We didn’t actually have any toasted sandwiches so we gave him an ice cream taco instead. But he wasn’t happy with this – several days ago he and a friend chased us through the streets in a van shouting out 'Grilled Cheese Sandwich!' and blaring their horn – for blocks and blocks. It was like a scene out of Robo Cop but in this case with someone shouting, 'Grilled Cheese Sandwich!'

What are your thoughts on the Peats Ridge Festival?Peats Ridge Festival is like the nurturing creator deity of the BLT – without them this beautiful entity genuinely wouldn’t exist. It is my creative Mummy & Daddy. I frik’n love it – independent of my own personal familial bias I would also say that in my opinion it’s fast becoming one of the best festivals in Australia.

I really feel that.

Every year that we have been involved it has just gotten better and better – high vibes unfolding, music, arts and a beautiful ethos out in the sweet, sweet country. It’s human evolution, in my mind.

We should come along to the Bohemian Love Theatre because...?If you miss it all of next year you’ll be one of those people in conversations at parties and such like who has no anecdotes about the popular subject and just sits there laughing nervously and nodding ‘cause they don’t really understand the context. And when the attention comes to you and it’s your turn to talk you’ll just look sheepish and think, 'Man, I’m gonna need a frik’n good costume for Peats Ridge this year...'


The Peats Ridge Sustainable Arts & Music Festival, Glenworth Valley Tuesday December 29 - Friday January 1




Friday, November 27, 2009

Grumpy on Farts and Orgasms


Click on the image to biggerise and (hopefully) enjoy my latest Grumpy column as it appears in the pages of Tsunami.

Saturday, November 21, 2009

Missing

The good ones, they always go away. Why is that? Why this recurring pattern? Random, unlikely encounter. Lives entwine. Bonding. Trust. Doubt. Trust again. They give you somethiing you need without even knowing they are giving it to you. If you think about it, you are probably doing the same for them, but mostly you just see it from your point of view: they were not here, they are here, I cannot imagine them not being here.

And then they go. The good ones, they always go away.

Wednesday, October 21, 2009

Ixchel Promo With The Dreaded One & Me



Promo clip of what was a good night and a particularly memorable one for me.

I think there will be more DJing coming up. Stay tuned.

Wednesday, October 07, 2009

An Exciting Doof Adventure

Picture an enraged Cherokee warrior screaming hysterically at the two in the picture and a couple of their friends. I mean, what could they possibly have done to be screamed at? They are quite obviously floppy and happy and wouldn't do anything to hurt anyone. She's even wearing a chicken hat and he's wearing a purple shawl thing he likes to think of as a shoulder poncho. What could have lead to the screaming, war cries and bulging veins and threats?

What happened was this... we're at a doof. We're wandering aimlessly and find ourselves at a pretty empty dancefloor. Music is good but everyone's just chilling and mucking about. Someone starts to kick this really silly looking green rubber ball with nipples on it about. I vague out for a short time. Maybe I've gone into the forest for a quick forest wee. When I return the others tell me that they accidentally kicked the green nipple ball into the sound deck and the sound guy went a bit apeshit.

Brilliant, I think, I'm going to peg the green nipple ball back into the sound deck to see what reaction it gets. The others look unsure. No one actually says no don't do it, however. I take aim and boot the ball but it hits a banner and falls short, coming to rest at the base of the raised sound deck. It's a scaffolding set up with the viewing platform maybe ten feet in the air. I pick the ball up and gesture a suggestion to the others that I shoot the ball up into the booth. They laugh because it's just too cheeky. They look unsure. They don't actually warn me not to do it. The chicken hat wearer is daring me with that irresistible grin.

I take aim. I pop the ball up like I'm shooting a hoop and the green nipple ball sails jauntily through the air and into the sound booth, bouncing harmlessly across the floor. From where I am I can see the legs of the sound guy, and suddenly he's on the move.

One second it's the funniest thing ever, next thing there's this full-blown Cherokee warrior going absolutely batshit about the green nipple ball. Geronimo is coming at us and he's fucking angry. Woopsie.

If I had seen the original reaction and had any idea what I was getting us into, I would not have popped the ball inside a second time. The guy is totally unhinged. He's screaming about his equipment, about fucking stupid balls, about the drink the green nipple ball knocked over (it didn't) and how we have to get him another can of bourbon and coke and we have ten minutes to do it. He chases the green nipple ball and tries to boot it deep into the surrounding forest but kicking stupid green nipple balls is clearly not his forte. The kick is what a football commentator might call a dead set shocker. Hilarious.

I'm trying very hard not to laugh as the sound guy gets into a tug-o-war with the chicken hat chick over the ball. I'm shouting at the guy to chill, he's shouting at me to stop laughing, one of the others is shouting that he witnessed the drink not being knocked over... it's pandemonium out there, folks. Totally insane, and I'm watching this lean, mad, war-path fucker and wondering what his proud ancestors would make of all of this.

Things calm down. Guy goes back to his sound booth. I feel a bit bad because it was a pretty juvenile thing to do.

Funny as fuck though.

Later we're back at our campsite and Geronimo On Acid walks by on his way to a nearby tent. We giggle a bit. Someone from another tent comes over and asks what triggered all the mayhem on the danncefloor earlier, he having seen the sound guy's explosion as well. We tell him it was all a bit of an accident and that we shouldn't have kicked the ball into the sound booth. I don't think we realised just what a commotion we'd been caught up in at the time.

The guy nods at our explanation and then says, deadpan, "He was pretty pissed off... I'll give you a hundred bucks if you peg the ball into his tent now."

I would like to say that it was the funniest hundred bucks I ever made, but even my stupidity has its limits. Mostly.

Thursday, October 01, 2009

Farewell Big Pointy Building

A bit of an era started around here. Alas, I'm wandering again and The Dreaded One has also left The Big Pointy Building. Times, they are a changin'.

Off doofing this weekend. Celebrating a wunth anniversary of adventures with a not so new person. Going to dance in a forest at Dragon Dreaming. I think I'm going to go as some kinda cyber Viking.

I think The Dreaded One will be missed at The Big Pointy Building. But you know, new stuff ahead.